第2章

The Dawn, the Sun, and the Moon were supposed to rise out of the Ocean, on the western side, and to drive through the air, giving light to gods and men. The stars also, except those forming Charles' Wain or Bear, and others near them, rose out of and sank into the stream of Ocean. There the sun-god embarked in a winged boat, which conveyed him round by the northern part of the earth, back to his place of rising in the east. Milton alludes to this in his "Commmus.""Now the gilded car of day His golden axle doth allay In the steep Atlantic stream, And the slope sun his upward beam Shoots against the dusky pole, Pacing towards the other goal Of his chamber in the east."The abode of the gods was on the summit of Mount Olympus, in Thessaly. A gate of clouds, kept by the goddesses named the Seasons, opened to permit the passage of the Celestials to earth, and to receive them on their return. The gods had their separate dwellings; but all, when summoned, repaired to the palace of Jupiter [Or Zeus. The relation of these names to each other will be explained on the next page], as did also those deities whose usual abode was the earth, the waters, or the underworld. It was also in the great hall of the palace of the Olympian king that the gods feasted each day on ambrosia and nectar, their food and drink, the latter being handed round by the lovely goddess Hebe.

Here they conversed of the affairs of heaven and earth; and as they quaffed their nectar, Apollo, the god of music, delighted them with the tones of his lyre, to which the muses sang in responsive strains. When the sun was set, the gods retired to sleep in their respective dwellings.

The following lines from the Odyssey will show how Homer conceived of Olympus:--"So saying, Minerva, goddess azure-eyed, Rose to Olympus, the reputed seat Eternal of the gods, which never storms Disturb, rains drench, or snow invades, but calm The expanse and cloudless shines with purest day.

There the inhabitants divine rejoice Forever.:" Cowper Such were the abodes of the gods as the Greeks conceived them.

The Romans, before they knew the Greek poetry, seem to have had no definite imagination of such an assembly of gods. But the Roman and Etruscan races were by no means irreligious. They venerated their departed ancestors, and in each family the worship of these ancestors was an important duty. The images of the ancestors were kept in a sacred place, each family observed, at fixed times, memorial rites in their honor, and for these and other religious observances the family hearth was consecrated. The earliest rites of Roman worship are supposed to be connected with such family devotions.

As the Greeks and Romans became acquainted with other nations, they imported their habits of worship, even in early times. It will be remembered that as late as St. Paul's time, he found an altar at Athens "to an unknown god." Greeks and Romans alike were willing to receive from other nations the legends regarding their gods, and to incorporate them as well as they could with their own. It is thus that in the poetical mythology of those nations, which we are now to study, we frequently find a Latin and a Greek name for one imagined divinity. Thus Zeus, of the Greeks, becomes in Latin with the addition of the word pater (a father) [The reader will observe that father is one of the words derived from an Ayan root. Let p and t become rough, as the grammarians say, let p become ph, and t th, and you have phather or father], Jupiter Kronos of the Greeks appears as "Vulcanus" of the Latins, "Ares" of the Greeks is "Mars" or Mavors of the Latins, "Poseidon" of the Greeks is "Neptunus" of the Latins, "Aphrodite" of the Greeks is "Venus" of the Latins.

This variation is not to be confounded with a mere translation, as where "Paulos" of the Greek becomes "Paulus" in Latin, or "Odysseus" becomes "Ulysses," or as when "Pierre" of the French becomes "Peter" in English. What really happened was, that as the Romans, more cultivated than their fathers, found in Greek literature a god of fire and smithery, they transferred his name "Hephaistos" to their own old god "Vulcanus," who had the same duties, and in their after literature the Latin name was used for the stories of Greek and Latin origin.

As the English literature came into being largely on French and Latin models, and as French is but a degraded Latin and retains Latin roots largely, in our older English poets the Latin forms of these names are generally used. In our own generation, with the precision now so much courted, a fashion has come in, of designating Mars by his Greek name of "Ares," Venus by her name of "Aphrodite," and so on. But in this book, as our object is to make familiar the stores of general English literature which refer to such subjects, we shall retain, in general, the Latin names, only calling the attention of the reader to the Greek names, as they appear in Greek authors, and in many writers of the more recent English schools.

The real monarch of the heavens in the mythology of both Greece and Rome is Jupiter (Zeus-pater, father-Jove) [Jove appears to be a word derived from the same root as Zeus, and it appears in the root dev of the Sanscrit, where devas are gods of different forms. Our English word devil probably comes from the French diable, Italian diavolo, Latin diabolus, one who makes division,-- literally one who separates balls, or throws balls about,--instead of throwing them frankly and truly at the batsman. It is not to be traced to the Sanscrit deva.]