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Then AEetes promised the next day to give them the fleece, and the Greeks went joyfully down to the Argo with the hero Jason in their midst. But that night Medea came down to Jason, and bade him make haste and follow her, for that her father proposed the next morning to attack the Argonauts and to destroy their ship.

They went together to the grove of Mars, where the golden fleece hung guarded by the dreadful dragon, who glared at the hero and his conductor with his great round eyes that never slept. But Medea was prepared, and began her magic songs and spells, and sprinkled over him a sleeping potion which she had prepared by her art. At the smell he relaxed his rage, stood for a moment motionless, then shut those great round eyes, that had never been known to shut before, and turned over on his side, fast asleep.

Jason seized the fleece, and with his friends and Medea accompanying, hastened to their vessel, before AEETES, the king, could arrest their departure, and made the best of their way back to Thessaly, where they arrived safe, and Jason delivered the fleece to Pelias, and dedicated the Argo to Neptune. What became of the fleece afterwards we do not know, but perhaps it was found, after all, like many other golden prizes, not worth the trouble it had cost to procure it.

This is one of those mythological tales, says a modern writer, in which there is reason to believe that a substratum of truth exists, though overlaid by a mass of fiction. It probably was the first important maritime expedition, and like the first attempts of the kind of all nations, as we know from history, was probably of a half-piratical character. If rich spoils were the result, it was enough to give rise to the idea of the golden fleece.

Another suggestion of a learned mythologist, Bryant, is that it is a corrupt tradition of the story of Noah and the ark. The name Argo seems to countenance this, and the incident of the dove is another confirmation.

Pope, in his Ode on St. Cecelia's Day, thus celebrates the launching of the ship Argo, and the power of the music of Orpheus, whom he calls the Thracian:

"So when the first bold vessel dared the seas, High on the stern the Thracian raised his strain, While Argo saw her kindred trees Descend from Pelion to the main.

Transported demigods stood round, And men grew heroes at the sound."In Dyer's poem of The Fleece there is an account of the ship Argo and her crew, which gives a good picture of this primitive maritime adventure:

"From every region of Aegea's shore The brave assembled; those illustrious twins, Castor and Pollux; Orpheus, tuneful bard;Zetes and Calais, as the wind in speed;

Strong Hercules and many a chief renowned.

On deep Iolcos' sandy shore they thronged, Gleaming in armor, ardent of exploits;And soon, the laurel cord and the huge stone Uplifting to the deck, unmoored the bark;Whose keel of wondrous length the skilful hand Of Argus fashioned for the proud attempt;And in the extended keel a lofty mast Upraised, and sails full swelling; to the chiefs Unwonted objects. Now first, now they learned Their bolder steerage over ocean wave, Led by the golden stars, as Chiron's art Had marked the sphere celestial."Hercules left the expedition at Mysia, for Hylas, a youth beloved by him, having gone for water, was laid hold of and kept by the nymphs of the spring, who were fascinated by his beauty.

Hercules went in quest of the lad, and while he was absent the Argo put to sea and left him. Moore, in one of his songs, makes a beautiful allusion to this incident:

"When Hylas was sent with his urn to the fount, Through fields full of light and with heart full of play, Light rambled the boy over meadow and mount, And neglected his task for the flowers in the way.

"Thus many like me, who in youth should have tasted The fountain that runs by Philosophy's shrine, Their time with the flowers on the margin have wasted, And left their light urns all as empty as mine."But Hercules, as some say, went onward to Colchis by land, and there performed many mighty deeds, and wiped away the stain of cowardice which might have clung to him.

MEDEA AND AESON

Amid the rejoicings for the recovery of the golden Fleece, Jason felt that one thing was wanting, the presence of AESON, his father, who was prevented by his age and infirmities from taking part in them. Jason said to Medea, "My wife, I would that your arts, whose power I have seen so mighty for my aid, could do me one further service, and take some years from my life to add them to my father's." Medea replied, "Not at such a cost shall it be done, but if my art avails me, his life shall be lengthened without abridging yours." The next full moon she issued forth alone, while all creatures slept; not a breath stirred the foliage, and all was still. To the stars she addressed her incantations, and to the moon; to Hecate (Hecate was a mysterious divinity sometimes identified with Diana and sometimes with Proserpine. As Diana represents the moonlight splendor of night, so Hecate represents its darkness and terrors. She was the goddess of sorcery and witchcraft, and was believed to wander by night along the earth, seen only by the dogs whose barking told her approach.), the goddess of the underworld, and to Tellus, the goddess of the earth, by whose power plants potent for enchantments are produced. She invoked the gods of the woods and caverns, of mountains and valleys, of lakes and rivers, of winds and vapors. While she spoke the stars shone brighter, and presently a chariot descended through the air, drawn by flying serpents. She ascended it, and, borne aloft, made her way to distant regions, where potent plants grew which she knew how to select for her purpose. Nine nights she employed in her search, and during that time came not within the doors of her palace nor under any roof, and shunned all intercourse with mortals.