第415章
Much more might be said on this subject. But to what end? It is not from bills of mortality and statistical tables that Mr. Southey has learned his political creed. He cannot stoop to study the history of the system which he abuses, to strike the balance between the good and evil which it has produced, to compare district with district, or generation with generation. We will give his own reason for his opinion, the only reason which he gives for it, in his own words:--"We remained a while in silence looking upon the assemblage of dwellings below. Here, and in the adjoining hamlet of Millbeck, the effects of manufactures and of agriculture may be seen and compared. The old cottages are such as the poet and the painter equally delight in beholding. Substantially built of the native stone without mortar, dirtied with no white lime, and their long low roofs covered with slate, if they had been raised by the magic of some indigenous Amphion's music, the materials could not have adjusted themselves more beautifully in accord with the surrounding scene; and time has still further harmonized them with weather stains, lichens, and moss, short grasses, and short fern, and stone-plants of various kinds. The ornamented chimneys, round or square, less adorned than those which, like little turrets, crest the houses of the Portuguese peasantry; and yet not less happily suited to their place, the hedge of clipt box beneath the windows, the rose-bushes beside the door, the little patch of flower-ground, with its tall hollyhocks in front; the garden beside, the bee-hives, and the orchard with its bank of daffodils and snow-drops, the earliest and the profusest in these parts, indicate in the owners some portion of ease and leisure, some regard to neatness and comfort, some sense of natural, and innocent, and healthful enjoyment. The new cottages of the manufacturers are upon the manufacturing pattern--naked, and in a row.
"'How is it,' said I, 'that everything which is connected with manufactures presents such features of unqualified deformity?
From the largest of Mammon's temples down to the poorest hovel in which his helotry are stalled, these edifices have all one character. Time will not mellow them; nature will neither clothe nor conceal them; and they will remain always as offensive to the eye as to the mind.'"
Here is wisdom. Here are the principles on which nations are to be governed. Rose-bushes and poor-rates, rather than steam-engines and independence. Mortality and cottages with weather-stains, rather than health and long life with edifices which time cannot mellow. We are told, that our age has invented atrocities beyond the imagination of our fathers; that society has been brought into a state compared with which extermination would be a blessing; and all because the dwellings of cotton-spinners are naked and rectangular. Mr. Southey has found out a way, he tells us, in which the effects of manufactures and agriculture may be compared. And what is this way? To stand on a hill, to look at a cottage and a factory, and to see which is the prettier. Does Mr. Southey think that the body of the English peasantry live, or ever lived, in substantial or ornamented cottages, with box-hedges, flower-gardens, beehives, and orchards? If not, what is his parallel worth? We despise those mock philosophers, who think that they serve the cause of science by depreciating literature and the fine arts. But if anything could excuse their narrowness of mind, it would be such a book as this. It is not strange that, when one enthusiast makes the picturesque the test of political good, another should feel inclined to proscribe altogether the pleasures of taste and imagination.
Thus it is that Mr. Southey reasons about matters with which he thinks himself perfectly conversant. We cannot, therefore, be surprised to find that he commits extraordinary blunders when he writes on points of which he acknowledges himself to be ignorant.
He confesses that he is not versed in political economy, and that he has neither liking nor aptitude for it; and he then proceeds to read the public a lecture concerning it which fully bears out his confession.
"All wealth," says Sir Thomas More, "in former times was tangible. It consisted in land, money, or chattels, which were either of real or conventional value."
Montesinos, as Mr. Southey somewhat affectedly calls himself, answers thus:--"Jewels, for example, and pictures, as in Holland, where indeed at one time tulip bulbs answered the same purpose."
"That bubble," says Sir Thomas, "was one of those contagious insanities to which communities are subject. All wealth was real, till the extent of commerce rendered a paper currency necessary; which differed from precious stones and pictures in this important point, that there was no limit to its production."
"We regard it," says Montesinos, "as the representative of real wealth; and, therefore, limited always to the amount of what it represents."
"Pursue that notion," answers the ghost, "and you will be in the dark presently. Your provincial banknotes, which constitute almost wholly the circulating medium of certain districts, pass current to-day. Tomorrow tidings may come that the house which issued them has stopt payment, and what do they represent then?
You will find them the shadow of a shade."