第3章

The smaller room was something like a chapel in a cathedral, or a grotto in a cave, for the booming sound of the traffic in the distance suggested the soft surge of waters, and the oval mirrors, with their silver surface, were like deep pools trembling beneath starlight. But the comparison to a religious temple of some kind was the more apt of the two, for the little room was crowded with relics.

As Katharine touched different spots, lights sprang here and there, and revealed a square mass of red-and-gold books, and then a long skirt in blue-and-white paint lustrous behind glass, and then a mahogany writing-table, with its orderly equipment, and, finally, a picture above the table, to which special illumination was accorded.

When Katharine had touched these last lights, she stood back, as much as to say, "There!" Denham found himself looked down upon by the eyes of the great poet, Richard Alardyce, and suffered a little shock which would have led him, had he been wearing a hat, to remove it. The eyes looked at him out of the mellow pinks and yellows of the paint with divine friendliness, which embraced him, and passed on to contemplate the entire world. The paint had so faded that very little but the beautiful large eyes were left, dark in the surrounding dimness.

Katharine waited as though for him to receive a full impression, and then she said:

"This is his writing-table. He used this pen," and she lifted a quill pen and laid it down again. The writing-table was splashed with old ink, and the pen disheveled in service. There lay the gigantic gold-rimmed spectacles, ready to his hand, and beneath the table was a pair of large, worn slippers, one of which Katharine picked up, remarking:

"I think my grandfather must have been at least twice as large as any one is nowadays. This," she went on, as if she knew what she had to say by heart, "is the original manuscript of the 'Ode to Winter.' The early poems are far less corrected than the later. Would you like to look at it?"While Mr. Denham examined the manuscript, she glanced up at her grandfather, and, for the thousandth time, fell into a pleasant dreamy state in which she seemed to be the companion of those giant men, of their own lineage, at any rate, and the insignificant present moment was put to shame. That magnificent ghostly head on the canvas, surely, never beheld all the trivialities of a Sunday afternoon, and it did not seem to matter what she and this young man said to each other, for they were only small people.

"This is a copy of the first edition of the poems," she continued, without considering the fact that Mr. Denham was still occupied with the manuscript, "which contains several poems that have not been reprinted, as well as corrections." She paused for a minute, and then went on, as if these spaces had all been calculated.

"That lady in blue is my great-grandmother, by Millington. Here is my uncle's walking-stick--he was Sir Richard Warburton, you know, and rode with Havelock to the Relief of Lucknow. And then, let me see--oh, that's the original Alardyce, 1697, the founder of the family fortunes, with his wife. Some one gave us this bowl the other day because it has their crest and initials. We think it must have been given them to celebrate their silver wedding-day."Here she stopped for a moment, wondering why it was that Mr. Denham said nothing. Her feeling that he was antagonistic to her, which had lapsed while she thought of her family possessions, returned so keenly that she stopped in the middle of her catalog and looked at him. Her mother, wishing to connect him reputably with the great dead, had compared him with Mr. Ruskin; and the comparison was in Katharine's mind, and led her to be more critical of the young man than was fair, for a young man paying a call in a tail-coat is in a different element altogether from a head seized at its climax of expressiveness, gazing immutably from behind a sheet of glass, which was all that remained to her of Mr. Ruskin. He had a singular face--a face built for swiftness and decision rather than for massive contemplation; the forehead broad, the nose long and formidable, the lips clean-shaven and at once dogged and sensitive, the cheeks lean, with a deeply running tide of red blood in them. His eyes, expressive now of the usual masculine impersonality and authority, might reveal more subtle emotions under favorable circumstances, for they were large, and of a clear, brown color; they seemed unexpectedly to hesitate and speculate; but Katharine only looked at him to wonder whether his face would not have come nearer the standard of her dead heroes if it had been adorned with side-whiskers. In his spare build and thin, though healthy, cheeks, she saw tokens of an angular and acrid soul. His voice, she noticed, had a slight vibrating or creaking sound in it, as he laid down the manuscript and said:

"You must be very proud of your family, Miss Hilbery.""Yes, I am," Katharine answered, and she added, "Do you think there's anything wrong in that?""Wrong? How should it be wrong? It must be a bore, though, showing your things to visitors," he added reflectively.

"Not if the visitors like them."

"Isn't it difficult to live up to your ancestors?" he proceeded.

"I dare say I shouldn't try to write poetry," Katharine replied.

"No. And that's what I should hate. I couldn't bear my grandfather to cut me out. And, after all," Denham went on, glancing round him satirically, as Katharine thought, "it's not your grandfather only.

You're cut out all the way round. I suppose you come of one of the most distinguished families in England. There are the Warburtons and the Mannings--and you're related to the Otways, aren't you? I read it all in some magazine," he added.

"The Otways are my cousins," Katharine replied.

"Well," said Denham, in a final tone of voice, as if his argument were proved.