第40章 II(3)
Promise never to tell my father of it. It brings back those dreadful dreams . . ." And, when she opened her eyes she looked straight into mine. "The blessed saints," she said, "you would think they would spare you such things. I don't believe all the sinning in the world could make one deserve them."They say the poor thing was always allowed a light at night, even in her bedroom. . . . And yet, no young girl could more archly and lovingly have played with an adored father. She was always holding him by both coat lapels; cross-questioning him as to how he spent his time; kissing the top of his head. Ah, she was well-bred, if ever anyone was.
The poor, wretched man cringed before her--but she could not have done more to put him at his ease. Perhaps she had had lessons in it at her convent. It was only that peculiar note of his voice, used when he was overbearing or dogmatic, that could unman her--and that was only visible when it came unexpectedly.
That was because the bad dreams that the blessed saints allowed her to have for her sins always seemed to her to herald themselves by the booming sound of her father's voice. It was that sound that had always preceded his entrance for the terrible lunches of her childhood. . . .
I have reported, earlier in this chapter, that Leonora said, during that remainder of their stay at Nauheim, after I had left, it had seemed to her that she was fighting a long duel with unseen weapons against silent adversaries. Nancy, as I have also said, was always trying to go off with Edward alone. That had been her habit for years. And Leonora found it to be her duty to stop that. It was very difficult. Nancy was used to having her own way, and for years she had been used to going off with Edward, ratting, rabbiting, catching salmon down at Fordingbridge, district-visiting of the sort that Edward indulged in, or calling on the tenants. And at Nauheim she and Edward had always gone up to the Casino alone in the evenings--at any rate, whenever Florence did not call for his attendance. It shows the obviously innocent nature of the regard of those two that even Florence had never had any idea of jealousy. Leonora had cultivated the habit of going to bed at ten o'clock.
I don't know how she managed it, but, for all the time they were at Nauheim, she contrived never to let those two be alone together, except in broad daylight, in very crowded places. If a Protestant had done that it would no doubt have awakened a self-consciousness in the girl. But Catholics, who have always reservations and queer spots of secrecy, can manage these things better. And I dare say that two things made this easier--the death of Florence and the fact that Edward was obviously sickening. He appeared, indeed, to be very ill; his shoulders began to be bowed;there were pockets under his eyes; he had extraordinary moments of inattention.
And Leonora describes herself as watching him as a fierce cat watches an unconscious pigeon in a roadway. In that silent watching, again, I think she was a Catholic--of a people that can think thoughts alien to ours and keep them to themselves. And the thoughts passed through her mind; some of them even got through to Edward with never a word spoken. At first she thought that it might be remorse, or grief, for the death of Florence that was oppressing him. But she watched and watched, and uttered apparently random sentences about Florence before the girl, and she perceived that he had no grief and no remorse. He had not any idea that Florence could have committed suicide without writing at least a tirade to him. The absence of that made him certain that it had been heart disease. For Florence had never undeceived him on that point. She thought it made her seem more romantic.