The History and Practice of the Art of
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第54章 THE NIGHT OF WITCHCRAFT(2)

"He and my parrot," she said, "amuse the Court to my shame."In the end, finding that neither by upbraiding the King nor by beating his wife could he prevail, Monsieur de Montespan resigned himself after his own fashion. He went into widower's mourning, dressed his servants in black, and came ostentatiously to Court in a mourning coach to take ceremonious leave of his friends. It was an affair that profoundly irritated the Sun-King, and very nearly made him ridiculous.

Thereafter Montespan abandoned his wife to the King. He withdrew first to his country seat, and, later, from France, having received more than a hint that Louis was intending to settle his score with him. By that time Madame de Montespan was firmly established as maitresse en titre, and in January of 1669 she gave birth to the Duke of Maine, the first of the seven children she was to bear the King. Parliament was to legitimize them all, declaring them royal children of France, and the country was to provide titles, dignities, and royal rent-rolls for them and their heirs forever. Do you wonder that there was a revolution a century later, and that the people, grown weary of the parasitic anachronism of royalty, should have risen to throw off the intolerable burden it imposed upon them?

The splendour of Madame de Montespan in those days was something the like of which had never been seen at the Court of France. On her estate of Clagny, near Versailles, stood now a magnificent chateau. Louis had begun by building a country villa, which satisfied her not at all.

"That," she told him, "might do very well for an opera-girl";whereupon the infatuated monarch had no alternative but to command its demolition, and call in the famous architect, Mansard, to erect in its place an ultraroyal residence.

At Versailles itself, whilst the long-suffering Queen had to be content with ten rooms on the second floor, Madame de Montespan was installed in twice that number on the first; and whilst a simple page sufficed to carry the Queen's train at Court, nothing less than the wife of a marshal of France must perform the same office for the favourite. She kept royal state as few queens have ever kept it.

She was assigned a troop of royal bodyguards for escort, and when she travelled there was a never-ending train to follow her six-horse coach, and officers of State came to receive her with royal honours wherever she passed.

In her immeasurable pride she became a tyrant, even over the King himself.

"Thunderous and triumphant," Madame de Sevigne describes her in those days when the Sun-King was her utter and almost timid slave.

But constancy is not a Jovian virtue. Jupiter grew restless, and then, shaking off all restraint, plunged into inconstancy of the most scandalous and flagrant kind. It is doubtful if the history of royal amours, with all its fecundity, can furnish a parallel.

Within a few months, Madame de Soubise, Mademoiselle de Rochefort-Theobon, Madame de Louvigny, Madame de Ludres, and some lesser ones passed in rapid succession through the furnace of the Sun-King's affection - which is to say, through the royal bed -and at last the Court was amazed to see the Widow Scarron, who had been appointed governess to Madame de Montespan's royal children, empanoplied in a dignity and ceremony that left no doubt on the score of her true position at Court.

And so, after seven years of absolute sway in which homage had been paid her almost in awe by noble and simple alike, Madame de Montespan, neglected now by Louis, moved amid reflections of that neglect, with arrogantly smiling lips and desperate rage in her heart. She sneered openly at the royal lack of taste, allowed her barbed wit to make offensive sport with the ladies who supplanted her; yet, ravaged by jealousy, she feared for herself the fate which through her had overtaken La Valliere.

That fear was with her now as she sat in the window embrasure, hell in her heart and a reflection of it in her eyes, as, fallen almost to the rank of a spectator in that comedy wherein she was accustomed to the leading part, she watched the shifting, chattering, glittering crowd. And as she watched, her line of vision was crossed to her undoing by the slender, wellknit figure of de Vanens, who, dressed from head to foot in black, detached sharply from that dazzling throng. His face was pale and saturnine, his eyes dark, very level, and singularly piercing. Thus his appearance served to underline the peculiar fascination which he exerted, the rather sinister appeal which he made to the imagination.

This young Provencal nobleman was known to dabble in magic, and there were one or two dark passages in his past life of which more than a whisper had gone abroad. Of being a student of alchemy, a "philosopher" - that is to say, a seeker after the philosopher's stone, which was to effect the transmutation of metals - he made no secret. But if you taxed him with demoniacal practices he would deny it, yet in a way that carried no conviction.

To this dangerous fellow Madame de Montespan now made appeal in her desperate need.

Their eyes met as he was sauntering past, and with a lazy smile and a languid wave of her fan she beckoned him to her side.

"They tell me, Vanens," said she, "that your philosophy succeeds so well that you are transmuting copper into silver."His piercing eyes surveyed her, narrowing; a smile flickered over his thin lips.

"They tell you the truth," he said. "I have cast a bar which has been purchased as good silver by the Mint."Her interest quickened. "By the Mint!" she echoed, amazed. "But, then, my friend - " She was breathless with excitement. "It is a miracle.""No less," he admitted. "But there is the greater miracle to come - the transmutation of base metal into gold.""And you will perform it?"

"Let me but conquer the secret of solidifying mercury, and the rest is naught. I shall conquer it, and soon."He spoke with easy confidence, a man stating something that he knew beyond the possibility of doubt. The Marquise became thoughtful.