The History and Practice of the Art of
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第97章 THE NIGHT OF HATE(2)

He bade his guest, with his daughter and their attendants, to ride on, saying that he himself would follow and overtake them. But the steward detained him longer than he had expected, so that, although the company proceeded leisurely towards the city, Pico had not come up with them when they reached the river. In the narrow street beyond the bridge the little escort found itself suddenly confronted and thrust aside by a magnificent cavalcade of ladies and gallants, hawk on wrist and followed by a pack of hounds.

Giovanni had eyes for one only in that gay company - a tall, splendidly handsome man in green, a Plumed bonnet on his auburn head, and a roguish, jovial eye, which, in its turn, saw nobody in that moment but Madonna Antonia, reclining in her litter, the leather curtains of which she had drawn back that she might converse with Giovanni as they rode.

The Lord of Pesaro beheld the sudden kindling of his brother-in-law's glance, for that handsome gallant was the Duke of Gandia, the Pope's eldest son, the very apple of the Holy Father's eye. He saw the Duke's almost unconscious check upon his reins; saw him turn in the saddle to stare boldly at Madonna Antonia until, grown conscious of his regard, she crimsoned under it. And when at last the litter had moved on, he saw over his shoulder a mounted servant detach from the Duke's side to follow them. This fellow dogged their heels all the way to the Parione Quarter, obviously with intent to discover for his master where the beautiful lady of the litter might be housed.

Giovanni said naught of this to Pico when he returned a little later.

He was quick to perceive the opportunity that offered, but far from sure that Pico would suffer his daughter to be used as a decoy; far, indeed, from sure that he dared himself so employ her. But on the morrow, chancing to look from a window out of idle curiosity to see what horse it was that was pacing in the street below, he beheld a man in a rich cloak, in whom at once he recognized the Duke, and he accounted that the dice of destiny had fallen.

Himself unseen by that horseman, Giovanni drew back quickly. On the spur of the moment, he acted with a subtlety worthy of long premeditation. Antonia and he were by an odd fatality alone together in that chamber of the mezzanine. He turned to her.

"An odd fellow rides below here, tarrying as if expectant. I wonder should you know who he is."Obeying his suggestion, she rose - a tall, slim child of some eighteen years, of a delicate, pale beauty, with dark, thoughtful eyes and long, black tresses, interwoven with jewelled strands of gold thread. She rustled to the window and looked down upon that cavalier; and, as she looked, scanning him intently, the Duke raised his head. Their eyes met, and she drew back with a little cry.

"What is it?" exclaimed Giovanni.

"It is that insolent fellow who stared at me last evening in the street. I would you had not bidden me look."Now, whilst she had been gazing from the window, Giovanni, moving softly behind her, had espied a bowl of roses on the ebony table in the room's middle. Swiftly and silently he had plucked a blossom, which he now held behind his back. As she turned from him again, he sent it flying through the window; and whilst in his heart he laughed with bitter hate and scorn as he thought of Gandia snatching up that rose and treasuring it in his bosom, aloud he laughed at her fears, derided them as idle.

That night, in his room, Giovanni practised penmanship assiduously, armed with a model with which Antonia had innocently equipped him.

He went to bed well pleased, reflecting that as a man lives so does he die. Giovanni Borgia, Duke of Gandia, had been ever an amiable profligate, a heedless voluptuary obeying no spur but that of his own pleasure, which should drive him now to his destruction.

Giovanni Borgia, he considered further, was, as he had expressed it, the very apple of his father's eye; and since, of his own accord, the Duke had come to thrust his foolish head into the noose, the Lord of Pesaro would make a sweet beginning to the avenging of his wrongs by drawing it taut.

Next morning saw him at the Vatican, greatly daring, to deliver in person his forgery to the Duke. Suspicious of his mask, they asked him who he was and whence he came.

"Say one who desires to remain unknown with a letter for the Duke of Gandia which his magnificence will welcome."Reluctantly, a chamberlain departed with his message. Anon he was conducted above to the magnificent apartments which Gandia occupied during his sojourn there.

He found the Duke newly risen, and with him his brother, the auburn-headed young Cardinal of Valencia, dressed in a close-fitting suit of black, that displayed his lithe and gracefully athletic proportions, and a cloak of scarlet silk to give a suggestion of his ecclesiastical rank.

Giovanni bowed low, and, thickening his voice that it might not be recognized, announced himself and his mission in one.

"From the lady of the rose," said he, proffering the letter.

Valencia stared a moment; then went off into a burst of laughter.

Gandia's face flamed and his eyes sparkled. He snatched the letter, broke its seal, and consumed its contents. Then he flung away to a table, took up a pen, and sat down to write; the tall Valencia watching him with amused scorn a while, then crossing to his side and setting a hand upon his shoulder.

"You will never learn," said the more subtle Cesare. "You must forever be leaving traces where traces are not to be desired."Gandia looked up into that keen, handsome young face.

"You are right," he said; and crumpled the letter in his hand.

Then he looked at the messenger and hesitated.

"I am in Madonna's confidence," said the man in the mask.