第26章

She ran vaguely on in the direction of the reservoir, with her father's injunction still in her mind, until a terrible idea displaced it, and she turned at right angles suddenly, and ran towards the slope leading down to the submerged flat. She had barely left the shelter of the trees behind her before the roar of water seemed to rise at her very feet. She stopped, dazed, bewildered, and horror-stricken, on the edge of the slope. It was the slope no longer, but the bank of the river itself!

Even in the gray light of early morning, and with inexperienced eyes, she saw all too clearly now. The trestle-work had given way; the curving mile of flume, fallen into the stream, and, crushed and dammed against the opposite shore, had absolutely turned the whole river through the half-finished ditch and partly excavated mine in its way, a few rods further on to join the old familiar channel.

The bank of the river was changed; the flat had become an island, between which and the slope where she stood the North Fork was rolling its resistless yellow torrent. As she gazed spellbound, a portion of the slope beneath her suddenly seemed to sink and crumble, and was swallowed up in the rushing stream. She heard a cry of warning behind her, but, rooted to the spot by a fearful fascination, she heeded it not.

Again there was a sudden disruption, and another part of the slope sank to rise no more; but this time she felt herself seized by the waist and dragged back. It was her father standing by her side.

He was flushed and excited, gazing at the water with a strange exultation.

"Do you see it? Do you know what has happened?" he asked quickly.

"The flume has fallen and turned the river," said Christie hurriedly. "But--have you seen him--is he safe?"

"He--who?" he answered vacantly.

"George Kearney!"

"He is safe," he said impatiently. "But, do you see, Christie? Do you know what this means?"

He pointed with his tremulous hand to the stream before them.

"It means we are ruined," said Christie coldly.

"Nothing of the kind! It means that the river is doing the work of the flume. It is sluicing off the gravel, deepening the ditch, and altering the slope which was the old bend of the river. It will do in ten minutes the work that would take us a year. If we can stop it in time, or control it, we are safe; but if we can not, it will carry away the bed and deposit with the rest, and we are ruined again."

With a gesture of impotent fury, he dashed away in the direction of an equally excited crowd, that on a point of the slope nearer the island were gesticulating and shouting to a second group of men, who on the opposite shore were clambering on over the choked debris of the flume that had dammed and diverted the current. It was evident that the same idea had occurred to them, and they were risking their lives in the attempt to set free the impediments.

Shocked and indignant as Christie had been at the degrading absorption of material interests at such a moment, the element of danger lifted the labors of these men into heroism, and she began to feel a strange exultation as she watched them. Under the skilful blows of their axes, in a few moments the vast body of drift began to disintegrate, and then to swing round and move towards the old channel. A cheer went up, but as suddenly died away again. An overlapping fringe of wreckage had caught on the point of the island and arrested the whole mass.

The men, who had gained the shore with difficulty, looked back with a cry of despair. But the next moment from among them leaped a figure, alert, buoyant, invincible, and, axe in hand, once more essayed the passage. Springing from timber to timber, he at last reached the point of obstruction. A few strokes of the axe were sufficient to clear it; but at the first stroke it was apparent that the striker was also losing his hold upon the shore, and that he must inevitably be carried away with the tossing debris. But this consideration did not seem to affect him; the last blow was struck, and as the freed timbers rolled on, over and over, he boldly plunged into the flood. Christie gave a little cry--her heart had bounded with him; it seemed as if his plunge had splashed the water in her eyes. He did not come to the surface until he had passed the point below where her father stood, and then struggling feebly, as if stunned or disabled by a blow. It seemed to her that he was trying to approach the side of the river where she was.

Would he do it? Could she help him? She was alone; he was hidden from the view of the men on the point, and no succor could come from them. There was a fringe of alder nearly opposite their cabin that almost overhung the stream. She ran to it, clutched it with a frantic hand, and, leaning over the boiling water, uttered for the first time his name:

"George!"

As if called to the surface by the magic of her voice, he rose a few yards from her in mid-current, and turned his fading eyes towards the bank. In another moment he would have been swept beyond her reach, but with a supreme effort he turned on one side; the current, striking him sideways, threw him towards the bank, and she caught him by his sleeve. For an instant it seemed as if she would be dragged down with him. For one dangerous moment she did not care, and almost yielded to the spell; but as the rush of water pressed him against the bank, she recovered herself, and managed to lift him beyond its reach. And then she sat down, half-fainting, with his white face and damp curls upon her breast.

"George, darling, speak to me! Only one word! Tell me, have I saved you?"

His eyes opened. A faint twinkle of the old days came to them--a boyish smile played upon his lips.

"For yourself--or Jessie?"

She looked around her with a little frightened air. They were alone. There was but one way of sealing those mischievous lips, and she found it!

"That's what I allus said, gentlemen," lazily remarked Whiskey Dick, a few weeks later, leaning back against the bar, with his glass in his hand. "'George,' sez I, 'it ain't what you SAY to a fash'nable, high-toned young lady; it's what you DOES ez makes or breaks you.' And that's what I sez gin'rally o' things in the Ford. It ain't what Carr and you boys allows to do; it's the gin'ral average o' things ez IS done that gives tone to the hull, and hez brought this yer new luck to you all!"