03 Duting Garden Reception Center都厅苑接待中心

设计公司：动象国际室内装修有限公司

设计师：谭精忠

地点：中国台湾

面积：1075m2

材料：磐多磨、钢刷染色木皮、镀钛不锈钢、钢琴烤漆、灰镜、大理石、抛光砖、柚木板、地毯等

"Crossover" is a challenging concept of creation and a form of expression nowadays. When the elements from different fields break the existing framework and shuttle at all levels like fashion, car, art and literature as well as technology, etc. the stunning creativity is often inspired. However, if there were two elements which have conflict and contradiction essentially, could they still make cross-border combination? In this case, the designer uses a new perspective view and thinking logic to cut to the design of reception center, and firstly sets into the theme of the planning exhibition, and then leads into spatial planning and functions of use to get the connection and balance between art exhibition and business sales. In the opposite of design surface, the concept of "class museum" is adopted as the layout of space, which gathers "Asian Contemporary New Art forces" including 21 designers' 30 works from Mainland China, Japan, Korea, Philippines, Indonesia and more than half of Chinese Taiwan contemporary artists as the exhibition proposition and space content. In the space frame with three units and two floors, the shaping space and atmosphere of dialogue and exchange between people and arts lead the user of space into the field interweaving and integrating the artistic appreciation, space structure and life style, then narrowing the distance between the public and works of art and enhancing the recognition for Taiwan contemporary artists.

“Crossover”，一个时下具挑战性的创作概念与表现形式，当来自不同领域的元素，打破既有的框架并穿梭在各个层面，时尚vs汽车、艺文vs科技……往往激发出令人惊艳的创意。但若是两个本质上存在冲突与矛盾的元素，是否仍然可以作跨界的结合？本案以新的观察角度与思考逻辑切入接待中心的设计，先置入策划展览的主题，再导入空间规划与使用功能，企图在艺术展览与商业销售之间取得连结与平衡点，对应在设计面以“类美术馆”的概念作为空间的布局，将集结中国大陆、日本、韩国、菲律宾、印尼与超过半数的中国台湾当代艺术家共21位、30余件作品的“亚洲当代艺术新势力”作为展览的命题与空间内容。在3个单位、2个楼层的空间框架中，形塑空间、人与艺术品对话交流的氛围，引领空间使用者进入艺术欣赏、空间涵构与生活品味交织融合的场域，进而拉近大众与艺术品之间的距离，提升对台湾当代艺术家的认同。

门厅以无接缝的磐多磨地坪搭配纯白色的连续墙面作为空间背景，40坪的空间仅陈设3件作品：胡栋民回旋成圈的不绣钢雕塑《流水》，常陵气势恢宏的《山水大宏图》与李真饶富童趣的《无忧国土》。透过线条纯粹、尺度宽广的大厅空间，提供艺术品展现内在意涵与观赏者发挥无限想像的场所。走道一侧的白色大理石咖啡吧台周边分别展示林建荣的摇头人偶《ZZZ-lV转头》、徐晓燕的油画《盛开》与牟柏岩的树脂雕塑《天空》。其中，设计者借由端景墙上倾倒歪斜的墙体和天空的背景图像，进一步诠释《天空》挣扎向上攀爬的视觉效果，并透过镜面不绣钢的反射影像，将视角看不见的上方面部表情传达给观赏者，引起观赏者的会心一笑与共鸣。

白色的钢骨楼梯蜿蜒向上，连通接待中心上下楼层。设计者规画悬吊楼梯的结构钢缆作为投影屏幕，使林冠名的影片作品《泉》的影像与声音在钢缆之间流转穿梭，搭配楼梯本身的斜向支撑、不规则造型和胡栋民的不绣钢雕塑《迎面》，将楼梯转化为一座声光具备的巨型装置艺术。